![]() Feel free to download from the Vimeo page and experiment yourself: LINK ![]() Last week I finished shooting / editing another short project with the Sony A7s and let me tell you, besides the toothache I had after the appointment at the dentist, it was pure pleasure to work with this camera!Īt cinema5D we get A LOT of requests from our readers to provide some daytime samples of Sony’s A7s footage with the flat picture profile (S-Log2). Here’s a closer look at unraded / graded footage. Out in field work we continue to be impressed. The new Sony A7s is a very powerful camera. With Sony’s professional S-Log2 gamma curve built-in, we get a new level of quality in a consumer camera. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.Spice up your videos with pre-built animations that have a transparent background, just like how a PNG iamge works, but for video.Ĭompleitble in all professional editing software such as DaVinci Resolve, Premiere Pro, AVID, Filmora, Movavi, and much. Read more about what LUTs are and why LUTs are amazing for some people. This is why LUTs are ultra useful for specific types of people. They want to pump out videos that look decent, so they can work on other things that matter more to them. For example, Youtubers and Business owners don't have time to spend passionately learning how to color grade. This route is always the best route if you have passion and time as you will receive your favourite results, because it's from your mind.īut some users just don't have it in them. Some Filmmakers have a very artistic eye and love designing the color themselves. Also of course, LUTs aren't for everyone. Some colorists spend many years color grading different types of Log footage. Being able to place a look onto your footage and have it corrected to a pleasing look while getting more dynamic range out of your camera, is a huge time saver and upgrade! It's an art in itself and it's not something you can learn quickly. This caused a lot of people to get frustrated that they would need to color grade after shooting anything if they wanted the extra dynamic range, especially if they have a quick turn-around on an edit. ![]() So let's say, color grading isn't for everyone. One issue that came with this, is that everyone had to learn color grading when using Log. Giving the ability to have a higher dynamic range than standard color, without losing detail in the shadows and highlights. As Sony cameras became more popular, S-Log 2 & 3 introduced many Filmmakers to using Log color profile. ![]() S-Log color space was a big driver for many users to learn how to use LUTs. They gave the user everything they needed while capturing, like multiple XLR inputs for audio, high bitrate, low power consumption and much more. Many Sony cameras were becoming the favourite, such as the FS5 and FS7 for professional work. Just like when the A7S1 was released, it revolutionised the industry with it's low-light capabilities and small design. Sony cameras have been leading the way for many years in the Filmmaking scene.
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